Broadcasting News (04:43)
Journalists discuss the top news stories of the day. Independent Television News (ITN) employs over 900 people. A report examines the release of Nelson Mandela.
Leon Golub (07:46)
Painting is a privileged and specialized art form; the media provides a constant flow of violent scenes. "Mercenaries Five" depicts a man with his captors. Golub discusses the United States permitting itself to exercise dominance and power over Third World nations.
Saatchi Gallery (03:37)
Charles and Doris Saatchi own several of Golub's paintings. Private collectors help repress critical views of political and economic realities. Anyone who buys work takes possession of the artist's mind.
Hans Haacke (07:44)
"Taking Stock" depicts Margaret Thatcher; it is unfinished. In "MetroMobiltan," Haacke combines quotations from corporate executives of Mobil and individuals from the Metropolitan Museum of Art. The artist criticizes Peter Ludwig's investments in East Germany.
Peter Dunn and Loraine Leeson (06:29)
Artists turn to street, community, objectless, and public art after becoming radicalized. "Dockland" explores issues of planning, public housing, and communal space. Dunn and Leeson collaborate on the Docklands Community Poster Project.
Victor Burgin (09:03)
Burgin wants his artwork to have the appearance of advertising. The artist discusses making political and economic statements. A painting by Edward Hopper inspires the series "Office at Night."
Terry Atkinson (03:41)
The political climate is more brutal than it was in the 1960s. In "Art and the Bunker" a miniature wheelbarrow bomb disposal unit is suspected of being booby-trapped. Atkinson's work explores the tensions between Northern Ireland and England.
Teaching Art (06:46)
Atkinson asks about his students' inspirations and inner meaning of their political art. "The Stone Touchers" depicts Atkinson's children.
Credits: Politics (01:12)
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