• German film – Fritz Lang’s Metropolis and M, Josef Von Sternberg’s The Blue Angel, Walter Ruttmann’s Berlin: Symphony of a Metropolis, multiple films by F. W. Murnau and G. W. Pabst (including Pandora’s Box and Diary of a Lost Girl), as well as films by Paul Leni, Robert Siodmak, and Robert Wiene.
• French film – Georges Méliès’s seminal work A Trip to the Moon, as well as films by Jean Renoir (Rules of the Game and Diary of a Chambermaid), Luis Buñuel’s France-based work (including An Andalusian Dog, Tristana, and Age of Gold), and René Clair (The Million).
• Japanese film – 16 films by Akira Kurosawa (including Rashomon, Drunken Angel, and Stray Dog), 21 films by Kenji Mizoguchi (including The Story of the Last Chrysanthemums, Sansho the Bailiff, and Ugetsu), 16 films by Yasujirō Ozu (including Tokyo Story; I Was Born, But…; and Late Spring), and films by contemporary directors such as Juzo Itami and Kazuyoshi Okuyama.
• American film – multiple titles from Buster Keaton (including The General and Steamboat Bill Jr.), D. W. Griffith (including The Birth of a Nation and Intolerance), Charlie Chaplin, and others representing the best of early American cinema, plus films by Douglas Sirk, Alfred Hitchcock, Frank Capra, Ida Lupino, Orson Welles, Busby Berkeley, and more, covering the golden age of Hollywood.
• Soviet, Eastern European, and Central Asian film – 10 films by Sergei Eisenstein (including Battleship Potemkin, October, Strike, and Ivan the Terrible), and award-winning contemporary films from Kyrgyzstan, Kazakhstan, Tajikistan, Yugoslavia, Bosnia, Croatia, Albania, Serbia, Macedonia, and Georgia (including When Father Was Away on Business, Fine Dead Girls, and A Wonderful Night in Split).
• British film – the pre-Hollywood work of major British directors like Alfred Hitchcock (including The 39 Steps, The Lady Vanishes, and The Man Who Knew Too Much) and Michael Anderson (1984 and The Naked Edge).
• African film – Cairo Station by Youssef Chahine, six films by Ousmane Sembène (including Black Girl a.k.a. La Noire de…, and The Curse a.k.a. Xala), two films by Flora Gomes (Those Whom Death Refused and Tree of Blood), and acclaimed contemporary films.
• Italian film – classics from Vittorio De Sica (including The Bicycle Thief and Two Women), Federico Fellini (including La Dolce Vita and Variety Lights), and Roberto Rossellini (including Paisan; Rome, Open City; and Journey to Italy), as well as films by Luchino Visconti, Michelangelo Antonioni, and Giuseppe De Santis.
• Indian film – 14 films by Satyajit Ray (including Pather Panchali, The World of Apu, Aparajito, and The Big City), as well as films by Adoor Gopalakrishnan, Partho Sen-Gupta, and Rajesh Shera.
• Chinese-language film – the 1993 Cannes Palme d’Or winner Farewell My Concubine (Chen Kaige), Spring in a Small Town (Fei Mu), films by King Hu (Dragon Gate Inn, Touch of Zen, The Fate of Lee Khan, and Raining in the Mountain), Zhang Yimou’s most famous films (The Story of Qiu Ju, Red Sorghum, and Ju Dou), as well as films by Tsai Ming-Liang (The River and Vive L’Amour).
• Latin American film – classics from Glauber Rocha (Black God, White Devil; Antonio das Mortes; and Entranced Earth), 12 of Luis Buñuel’s Mexico-based productions (including Cannes Palme d’Or winner Viridiana, The Exterminating Angel, and Simon of the Desert), and award-winning films by directors from Mexico, Brazil, Columbia, Argentina, Uruguay, Peru, Cuba, Chile, and Ecuador.
• Turkish and Middle Eastern film – seven films by Turkish director Yılmaz Güney (including Cannes Palme d’Or winner The Way a.k.a. Yol, and Hope a.k.a. Umut) as well as award-winning films from Iran, Iraq, Lebanon, Egypt, Israel, and Palestine (including The Kite, The White Meadows, and Toll Booth).
• Caribbean film – contemporary films from Curaçao, Cuba, Haiti, and Trinidad and Tobago distributed by ArtMattan Productions, a leading distributor of films from the African diaspora.

All foreign language films are accompanied by English subtitles. Using the Custom Segment tool, users may create customized segments of specific scenes from a film, which can be embedded, shared, and saved.